I also designed and built the majority of the graphics as Motion templates. Though I haven't yet tried to herd a flock of sheep through the city centre! Current EditingĢ020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years. I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs. I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago. “Wow, Amazing ! You’ve done some incredible work there – very impressed ! I wish we had this a few months ago when we graded a TV series in FCPX ! One of our biggest FCPX frustrations is the lack of mask tracking for colour grading, so this will be a massive help”. Video Analysis Tools – locate and correct technical image anomaliesĬhris Hocking from LateNite Films was impressed when he saw Color Finale 2.Modern Sharpening algorithm – enhance perception of focus in soft areas of shots.LUT Manager – auto-locate, live preview, and export of LUTs and Presets.Shot Matching toolset – semi-automate primary color correction for shot matching.Film Emulation Tools – add customizable digital grain.Area Tracker – track masks on moving picture elements.Masking – shape based and free form keying for selective color grading.When you look at the new feature list, you can understand, especially as it could avoid the picture locked round trip to third party grading software.

Color finale pro 2